samedi 24 mai 2014

Charles about This is your life

from : http://www.bigredbook.info/subjects_d_h.html
in an interview, in 2005
"In February 2001, Dance had the dubious honour of being spotlighted by the British version of This is Your Life. When asked about it, he lets out a long, suspicious "Yeeeeees?" Satisfied that there is no malicious intent behind the inquiry, merely curiosity to know whether the experience was flattering or, as often appears to be the case, an exercise in prolonged awkwardness, he lets loose."
It was one of the most sphincterclenching evenings of my life! Deeply embarrassing. It really was - and it was the last thing I wanted because actually, that night, I was in the middle of a run with (Eugene O'Neill's) Long Day's Journey Into Night on the West End with Jessica Lange. I was playing Tyrone and she was playing my wife."
So, after a night of emotional shredding on stage, I was going to go to a club and just have a drink and maybe some supper. Then this man with a big red book leaps out at me! And I'm wheeled down to the BBC and the thing was recorded there and then about bloody midnight!
"They were wheeling people out who were recounting things that happened donkey's years ago, which not only did I not remember, but I didn't remember them, either! People came out who I was at school with who I simply didn't recognise. It was really embarrassing. 'Who the f--k is that?' Terrible."

A teaser for The Great Fire

      little vid : http://vimeo.com/96188313

vendredi 23 mai 2014

Charles supports The National brain appeal

 The National Hospital saved my friend Joanna’s life so I’m thrilled to be able to support The National Brain Appeal.”
http://www.nationalbrainappeal.org/headliners/
**actress Joanna David, mother of Emilia fox

lundi 19 mai 2014

Charles in the cast of The Guns of August

with Helena Bonham Carter and Emilia Clarke...he will be British Prime Minister Henry Herbert Asquith
“The Guns of August,” based on the Barbara W. Tuchman book, traces the misunderstandings, missed opportunities and aristocratic follies of the summer of 1914, which led to the outbreak of the First World War.
Production will begin on “The Guns of August” in early 2015."

From an interview with Nikolaj Coster Waldau

...But I like Tywin as a character, mostly because Charles [Dance] is such a formidable presence. You kind of like him because he's so cold. He's the perfect royal, because everything is about the future. The present doesn't matter. It's all about the endgame. So I loved the scene where they're making the deal for Tyrion where Jaime realizes, "Oh, I just got played. This was my father's plan all along. He was willing to sacrifice my brother to get me to do what he wants." Wow. It's a fucked-up family, I'm sorry! [Laughs]

dimanche 18 mai 2014

Charles is one of the producer of The inn at the edge of the world

"Piccadilly Pictures, the UK financier that backed We Need to Talk About Kevin and Coriolanus, has unveiled a new development fund to sit alongside its $25m finance fund – and have already backed projects from BBC Films and Charles Dance.
Piccadilly’s Christopher Figg and Robert Whitehouse currently have a handful of projects benefitting from their SEIS-qualifying development fund and are looking to add more.
The first projects include a feature version of Alice Thomas Ellis’s novel The Inn at the Edge of the World, which is being co-executive produced by Charles Dance and is aiming for a late 2014 shoot..."
-the director : Peter Hewitt
-producers : Charles Dance, Robert Habermann, Christopher Figg,  Lamia Nayeb
-cast : Kim Catrall, Michael Gambon, Brian Cox, Penelope Wilton...no more Stephen Fry

***Charles was supposed to direct it in 2009....it's about a group of people who go to a remote Scottish island to escape Christmas... based on the Alice Thomas-Ellis' novel
in 2009 : the former partner : Intandem CEO, Gary Smith said  "Charles's vision will give the film an exciting edge that will appeal to an international audience as well as satisfying the fan base from the novel."
Dance who wrote the screenplay said 'I wanted to build upon the success of the best-selling novel by making the necessary adaptations to the characters and the plot that will make The Inn as successful on the big screen.'