dimanche 6 décembre 2015

Interview : A Dance with destiny

                                            

The admired character actor has come to terms with never quite finding the stardom he craved as a younger man

Charles Dance was laughing out loud. It's a great sound, one that moviegoers and television viewers rarely ever hear from the star of Last Action Hero, The Imitation Game and Game of Thrones. Interviewers hear it only slightly more often from the venerable character actor, a dapper fellow who often plays smooth, genteel, well-spoken villains. The 69-year-old Brit plays pricisely such a character, Karellen, in Childhood's End, a three-night, six-hour miniseries that will debut soon on Syfy.

The character is the leader--initially heard but not seen--of an alien race that peacefully invades Earth. The aliens, who come to be known as the Overlords, and Karellen, referred to as Supervisor of Earth, offer an end of poverty, war and all manner of illness.

Karellen comes across as calm, erudite and wise, so - as it was pointed out to Dance during a recent conversation - it's amusing to hear Karellen utter the words "My bad", a thoroughly modern, colloquial phrase. Cue the laughter. "I have to tell you, that's a phrase I had never used before", Dance admitted. " I said, What does this mean ?" They said, "You never heard that ? It means my bad, my fault, my problem". I said, " Oh, really ?"

"Now the odd thing is, I'm doing a film in Prague at the moment, and one of the guys on the crew, the key grip I think it was, got a move wrong. And he said, "My bad". I thought, 'Oh, my God, people do actually say that'.
http://aboutactorcharlesdance.blogspot.fr/
Thruth be told, tough, there's precious little laughter to be had in Childhood's End. The miniseries is based on Arthur C. Clarke's 1953 novel of the same name. In addition to Dance, it stars Julian McMahon, Colm Meaney, Yael Stone and Mike Vogel. Vogel plays Ricky Storm gren, the everyday human Karellen picks as his liaison in dealing with mankind. Meaney portrays Wainwright, a powerful newspaperman who deeply distrusts the Overlords' motives.

Dance, who spoke about Childhood's End on a day off from shooting Underworld 5 in Prague, acknowledged that he'd been unfamiliar with the Clarke novel until the project came his way. Once it did, he sat down and perused the book.

"I never been a particular fan of science fiction", he admitted, " but Arthur C.Clarke is kind of the god of sci-fi. When I read it, I actually couldn't put it down. It's extraordinary. Basically the story says that there's a price to pay for utopia, and I would say the miniseries captures 100% of that.
"If someone comes and promises you a pot of gold or everything you've ever wished for..." he said, and stopped mid-sentence. "You know that saying, Be careful what you wish for ?' That's the crux of this".

Further discussing Childhood's End, and especially Karellen, Dance chose his words carefully. In the book Karellen's true form is described as demon-like, and his appearance in the miniseries is basically a spoiler.


http://aboutactorcharlesdance.blogspot.fr/
"Without giving too much away, the biggest challenge was hopefully retaining some humanity through these layers of latex and various other bits of prosthetics", Dance said. "The make-up was about a four-hour job. For me it's not a question of working against the make-up. It's a question of working with it and using it as a tool. Obviously, if you've got finely detailed, heavy make-up, the kind of visual aspect of one's job has been done for you. And then it's just a question of me making sure that the human being inside it is going to be visible and workable and believable.

"As I haven't seen any footage of the piece yet, I hope I've pulled it off".

Beyond Childhood's End, Dance has an impressive slate of current and upcoming projects. He co-stars with Daniel Radcliffe and James McAvoy in Victor Frankenstein, which comes to Thaïland in the new year. On the way are the features Despite the Falling Snow, Pride and Prejudice and Zombies, Me before You and Underworld 5, as well as the miniseries And Then There Were None.

"Victor Frankenstein is one of my hopefully telling cameos", Dance said. "I worked with James McAvoy, whom I'd worked with before, and I rate him really highly. I was only on that for a couple of days, but they were pleasurable days because I was working with James.

"Pride and Prejudice and Zombies, that was a hoot. Even the most devoted Jane Austen followers I don't think will be offended. I haven't seen very much of it, but just doing ADR[ post-production dubbing] and seeing stuff on the screen, it looks sensational. When it's supposed to be frightening, it's bloody frightening , and when it's funny, it's very funny. And it's got its tongue planted firmly in its cheek.

"And then Me Before You is Thea Sharrock's first film. Thea is agreat theatre director. I'd never worked with her in the theatre. As I say, it's her first film, and I hope it's not her last. Emilia Clarke from Game of Thrones is the star of it and she's so completely and utterly different to who she is in Game of Thrones".

Dance has been acting on screen and stage for 40-plus years now. He's a respected, go-to character actor, one who's immediately recognisable for his countenance and voice. Early in his career, though, Dance aspired to be a star. He recounted an anecdote about that very topic involving Burt Lancaster, who played his character's father in a 1990 television adaptation of The hantom of the Opera.

"Burt asked me, 'Do you want to be an actor or a star, Charles ?' And I said, 'Both'. He said, "That's really difficult, and I hope you pull it off".


http://aboutactorcharlesdance.blogspot.fr/
A quarter of a century down the line, Dance has come to terms with the fact that he's never quite made it to stardom. "When I started, I wanted to find out how I could be" he said. "After a couple of years, I thought, 'No, you're not cutting the mustard. Get out and do something else'. What else I'd do, I haven't the foggiest idea. I just wanted to be the best actor I felt I could be and to keep working, because I love doing it.
"I'm very lucky to be able to do something for a living that I love doing. I just hope I do it until the day I die."
http://www.bangkokpost.com/
 


samedi 5 décembre 2015

Interview in The Times...for subscriber

 
"New work with Charles Dance for The Times out today "
 
                                                            
If you’ve ever bumped into one of your old schoolteachers — perhaps one of the sterner ones you were always a little bit frightened of — then you will have some idea of what it feels like when you encounter Charles Dance. He is tall and lean and has a hawk.....
Charles was at the Carols from Chelsea at the Royal Hospital, Chelsea.....
"This year’s event took place on the evening of Tuesday 1 December and featured readings from Dominic West, Charles Dance, Patricia Hodge and Alice Beer, as well as superb musical performances from the baritone Peter Sidhom and the BBC Young Choristers of the Year, Angus Benton and Agatha Pethers....."
"This year actor Dominic West from television programmes The Wire and The Affair will give readings, alongside actors Charles Dance and Patricia Hodge, and broadcaster Alice Beer."

vendredi 4 décembre 2015

Mike Vogel about Karellen/Childhood'end

Mike, those meetings with Karellen where we can’t see him, was that tough to shoot? I mean, was Charles Dance around or was this all kind of using your imagination?
 
Mike Vogel: Yes, you know, it’s interesting because when I read that script and was preparing for it, you don’t… when you’re reading it on the page you’re seeing two characters interacting. But it didn’t really dawn on me until I got there and was talking over with Matt, and was talking over with Nick Hurran about how we were going to shoot it.
It was then brought to my attention, you realize that you’re by yourself here standing in front of a mirror that there’s no one physically there that you’re acting against. And, you know, there’s just this – there was this instant feeling of vulnerability and nakedness that, “oh crap, I have to somehow hold this thing”. Now don’t get me wrong, the voice of Charles Dance demands – the man yawns and everyone snaps to attention.
You know, that was a great help. We had him – Charles was actually off stage and we piped him through a loud speaker that was hidden on stage there with me. So I had his voice to respond to. But it’s a lot of time kind of sitting there in front of a mirror which was great, and as Matt pointed out it’s sort of this thing with Ricky where part of the reason they choose Ricky is because he’s not a guy that’s too worried about appearances, and his ego doesn’t play a huge part in who he is.
But then all of a sudden he’s kind of thrust into this world stage, thrust into this spotlight. And he’s having that moment of, you know, a bit of that start to creep in, and he start to believe his own presence for a second, and kind of like – kind of like the power and the position that he’s finding himself in, and here he is in front of a mirror basically playing to his vanity, and constantly everywhere he looks is reminding him of this other world.
So I thought it was a really great touch but, yes, it was an interesting switch that I went through of when I finally realized that, oh man, it’s just me kind of out here by myself doing this whole thing. And you don’t… it’s funny how your mind doesn’t connect that when you’re reading because it just reads like a normal script until you realize that wasn’t the case at all.
 

vendredi 27 novembre 2015

Reviews...Charles is Alphonse Frankenstein.....a cameo

http://aboutactorcharlesdance.blogspot.fr/2015/08/charles-in-cast-of-victor-frankestein.html
***They like their protagonists to be young and good-looking, something that is true of almost every character in the movie with the exception of Dr. Frankenstein’s mean old dad, who pops up to tut-tut his son and is played, in a neat bit of casting, by Charles Dance (Tywin Lannister of "Game of Thrones" fame.)
http://www.richmond.com/ap/entertainment/article
***Don’t blame Radcliffe too much. He does his nice boy routine well enough. And McAvoy should be commended, I suppose, for not going all Johnny Depp on us. He’s simply boring, not annoying. Charles Dance walks into the apartment for one scene, in what reeks of a studio note to "bring some gravitas into this thing, for God’s sake". But as we know, when something’s dead, it’s dead, and nothing can bring it back.
http://www.theguardian.com/film/2015/nov/24/victor-Frankenstein
***There’s a crucifix-packing Scotland Yard detective (Andrew Scott) who smells the "roots of an evil, sinful mischief." And a disapproving Frankenstein-the-elder (Charles Dance, fatherly menace incarnate).
http://rogersmovienation.com/2015/11/24/movie-review-victor-frankenstein/

***...and Charles Dance in a brief appearance as Victor’s father, who shows up to establish the latter’s – you guessed it – tragic backstory.
http://screenrant.com/wp-content/uploads/
 ***The excellent veteran Charles Dance has a few bombastic scenes as Frankenstein’s ironhanded father. Each actor seems to be trying to out-crazy the others.
http://www.startribune.com/review-this-victor-frankenstein-is-a-loser/353162891/
***The same goes for Frankenstein’s relationship with his father (Charles Dance), a respected doctor, who appears in one scene to berate his son and to let us know that Victor used to have a brother, for whose death Victor feels guilty.
http://www.ericdsnider.com/movies/victor-frankenstein/
 ***Charles Dance makes an appearance as Frankenstein’s father, but this character seems to only be an excuse to have Dance in the film.
http://www.dailyuw.com/arts_and_leisure/
 ***Charles Dance makes an all-too-brief brief appearance as Frankenstein’s haughty, disapproving father.
http://www.fmoviemag.com/victor-Frankenstein
***The ever-elegant Charles Dance had a strong cameo as Victor's father.
https://www.abs-cbnnews.com/lifestyle/11/27/15/
**Oh, and Charles Dance appears for about two minutes, yells at Victor, then is never seen from or mentioned again. Charles goddamn Dance.
http://www.deadbeatspanel.com/victor-frankenstein-review/
***There are some other great actors in here too, although some of them get very little screen time, and I mean a bizarrely small amount. Charles Dance is in here, and while he’s great (as usual), he’s only in one scene, but that’s nothing compared to Mark Gatiss, who has no lines.
http://thirdactfilm.com/victor-frankenstein-review/