Actors Charles Dance and Jason Isaacs are taking a lead in The Climate Coalition's Show the Love campaign this February. They've given their time to star in a short film made by Ridley Scott Associates featuring the poetry of Anthony Anaxagorou and the music of Elbow. The things we love could change forever due to climate change and that's the message of the video. On this edition of Nature's Voice Jane Markham talks to Fiona Dear from The Climate Change Coalition about the film and campaign and to the RSPB's conservation director Martin Harper about special places under threat.
A Bromley junior doctor is to share the limelight with a host of British stars with the release of a new film to raise awareness of climate change.
Tom Jackson, 31, is a member of the Lewisham and Greenwich NHS choir, who were invited to sing the soundtrack for the short film Love Song, which appears in cinemas this week.
The medics joined actors Charles Dance, David Gyasi, Jason Isaacs and Miranda Richardson to create a powerful three-minute film urging the British public to take action against climate change.
The film will be screened in Picturehouse Cinemas across the country from February 10 to 17 and widely across social media.
Most unsatisfactory presenter: me, London Critics’ Circle awards, 2006
The London Critics’ Circle hosts its annual award ceremony in January, often at a swanky hotel. Reviewers are asked to make presentations, and 10 years ago I was one of them, presenting screenwriter of the year to Stephen Frears for The Queen. My memory of the event is that I tried a joke which was received with the same kind of stunned silence that greeted news of Queen Victoria’s death in the House of Commons.
But the most unfortunate part of the evening was that a problem in the kitchen meant that the dinner, but not the wine, was hours late. People were exuberant and convivial, but in an impatient and ill-tempered way. Charles Dance was seated at my table, and, fixing me with his diamond-hard, glittering gaze, asked if I had any connection with the event. “Oh yes,” I said. But my attempt to claim a co-celeb status with Mr Dance was thwarted when he flicked a contemptuous finger at his empty plate and said: “Well, then, perhaps you can tell me what’s happened to the food?”
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