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Two estranged sisters with beaucoup unresolved issues meet for a European holiday in Swedish writer-director Lisa Langseth’s inauspicious English-language feature “Euphoria.” The first production out of star Alicia Vikander’s Vikarious Film stable, this oh-so-serious, hysteria-tinged drama, which is impossible to write about without spoilers, plays as if it might have come from Yorgos Lanthimos’ bin of discarded ideas. A prestige cast including Eva Green, Charlotte Rampling and Charles Dance will entice distributors to take a look, but the post-screening take-away is definitely not happiness or excitement, but rather something that could be described by other “e” words — such as excruciating and embarrassing.
Two estranged sisters with beaucoup unresolved issues meet for a European holiday in Swedish writer-director Lisa Langseth’s inauspicious English-language feature “Euphoria.” The first production out of star Alicia Vikander’s Vikarious Film stable, this oh-so-serious, hysteria-tinged drama, which is impossible to write about without spoilers, plays as if it might have come from Yorgos Lanthimos’ bin of discarded ideas. A prestige cast including Eva Green, Charlotte Rampling and Charles Dance will entice distributors to take a look, but the post-screening take-away is definitely not happiness or excitement, but rather something that could be described by other “e” words — such as excruciating and embarrassing.
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there’s time to introduce a few other guests. These include Mr. Daren (Charles Dance), a cynical brain-tumor sufferer, whose loud, vulgar farewell party contravenes every aspect of the peace and quiet that the other guests are paying for, and Brian (Mark Stanley), a paraplegic former pro-soccer player whose death wish is extinguished by a night with Emilie.
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But even if audiences find themselves able to remain in their seats until the end of “Euphoria” (men, especially, fled the TIFF press and industry screening in droves), the catharsis feels fake and unearned. Moreover, the film lacks the warmth and respect for all of of its characters displayed in Langseth’s previous work.
http://variety.com/2017/film/reviews/euphoria-review-1202552719/EUPHORIA marks the English-language debut of Sweden’s Lisa Langseth and it is simply terrible. This is new age stuff that many will just gawk at.
The written dialogue is also plain awful.....
..... for the script is too predictably cliched. Charles Dance puts a bit of life into the film as a dying man who organizes his own farewell party. The film turns out to be a muddled look on death mortality.
https://festivalreviews.org/2017/09/17/tiff-2017-movie-review-euphoria-swedengermany-2017/
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