kuala Lumpur job
Luke Treadaway and David Morrissey to star in The Singapore Grip, a TV adaptation(a six-part series) of Booker Prize winner J.G. Farrell’s 1978 novel.
The drama focuses on a British family living in Singapore during World War Two, at the time of the Japanese invasion.
The series began filming in South East Asia in March 2019.
Treadaway plays the “reluctant hero and innocent abroad” Matthew Webb, while Morrissey stars as the “ruthless rubber merchant” Walter Blackett, head of British Singapore’s oldest and most powerful firm alongside his business partner Mr Webb (Dance).
The drama focuses on a British family living in Singapore during World War Two, at the time of the Japanese invasion.
The series began filming in South East Asia in March 2019.
Treadaway plays the “reluctant hero and innocent abroad” Matthew Webb, while Morrissey stars as the “ruthless rubber merchant” Walter Blackett, head of British Singapore’s oldest and most powerful firm alongside his business partner Mr Webb (Dance).
Charles Dance has joined the cast of sci-fi A Patriot alongside Eva Green and Helen Hunt, with the project now heading for an August shoot.
Dan Pringle is attached to direct from an original screenplay he wrote.
The project is now in prep and is due to shoot in August 1 in Dublin for six weeks...
Dan Pringle is attached to direct from an original screenplay he wrote.
The project is now in prep and is due to shoot in August 1 in Dublin for six weeks...
A Patriot takes place in a future authoritarian state that has walled itself away from a world ravaged by climate chaos and resource wars. The story follows an unquestioning Border Corp Captain as she fights to defend the purity of the population, until a chance discovery makes her doubt the authorities she has pledged her allegiance and life to protect.
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GODZILLA: Charles Dance heaps praise on Millie Bobby Brown
with Millie Bobby Brown and O’Shea Jackson Jr. at the Godzilla king of the monsters premiere on Tuesday night at London’s Leicester Square.
Godzilla King of the Monsters - London premiere with Millie Bobby Brown
My first press screening for Godzilla King Of Monsters
Charles Dance onmaking Gozilla
Charles Dance is 15 minutes late. “London, yer know?” says the 72-year-old actor through a mouthful of pastry. His friends call him “Charlie” and Americans call him “Chuck”, though for his mother there was never any ambiguity. “‘His name’s Charles,’ she’d say. She ’ad a few ideas above ’er station.” The voice is rougher and more gor-blimey than the one to which audiences are accustomed, as well as friendlier and less imposing. His thinning hair, formerly red and now sand-coloured, is swept back, and he is wearing a blue short-sleeved shirt over a white T-shirt. The silver bracelet halfway up his forearm could pass for memorabilia from Game of Thrones.....
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Godzilla takes place mostly in darkened rooms or during inclement weather. Major characters drift through the film, their storylines petering out arbitrarily. I couldn’t make head nor scaly tail of it. And Dance? “I had difficulty staying awake,” he jokes, as though imitating an old duffer who’s wandered into a multiplex by mistake. Then he reverts to normal volume: “No, I didn’t say that! I mean, it’s spectacular.” He plays a former British colonel turned eco-terrorist who has a vested interest in facilitating Godzilla’s reign. Before he says a word in the film, he has already shot someone in the head and is thereafter restricted to the odd line and the occasional scowl. Was his performance cut? His laugh is booming and good-natured. “I keep hearing that! ‘I wish there was more of you.’ It’s what was offered. I just like working. Unless it’s complete and utter crap. I’ve got some pride.” There were clear compensations in this case. “The catering was sensational,” he says.
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And, as he points out, it has been a while since he did a mega-budget movie. After all, Godzilla couldn’t be more different from Happy New Year, Colin Burstead, Ben Wheatley’s family-get-together film for the BBC in which he played the cross-dressing widower Uncle Bertie without a hint of camp. “Ten days we shot that in. Handheld cameras, communal green room. SAS film-making.” The character’s sartorial preferences were Dance’s idea. “I told Ben: ‘Ever since his wife died, I think Bertie’s worn women’s clothes. He’s been doing it so long, the family accept it.’ He turns up in his modestly heeled shoes and a bit of cashmere, his twin set and pearls.”
I remind him that the role marked his third foray into women’s fashion. “Riiiight,” he says suspiciously. Well, there was Ali G Indahouse, in which he writhed around at Sacha Baron Cohen’s behest in a red rubber micro skirt, thigh-high leather boots, leopardskin crop-top and drop earrings. He rolls his eyes. “Ah yes. The director said: ‘We’ve had an idea for the ending.’ I was kind of forced into that.”
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And for one scene in White Mischief, the 1987 drama about the amoral British upper-class in Kenya during the second world war, the toffs interrupt their routine of polo and wife-swapping for a cross-dressing party. “Joss Ackland was there in bombazine and a tiara. I had on a mid-blue chiffon affair. Then Greta Scacchi comes out looking gob-smackingly gorgeous in this jacket with nothing underneath. Joss said, ‘This is all wrong. We should be going to each other’s wardrobe and just putting on whatever fits.’ He stormed off to complain to the director and I went with him. There’s Joss with his handbag on his arm, me standing there in me gear. I thought, ‘Here we are, expecting to be taken seriously …’”
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Getting tailed by photographers in his 50s and 60s was no fun. “I was going to a shrink for a while and I got papped coming out of there. Pain in the arse. Lowest of the low.”
He was more prepared for the fuss over Jewel than he would have been if he had played James Bond, a part he was invited to test for – and refused – in 1986. “I think I’d have fucked it up. It might’ve gone to my head a bit. When Jewel happened, you couldn’t open a paper without reading about me. I was ‘the thinking woman’s crumpet’. But Bond would’ve been much bigger. I might’ve blown it.” He’s been eyeing the names currently in the frame. “Young Richard Madden is pretty good. Or James Norton. I think Daniel’s been fantastic. What he lacks in the wit of Roger Moore he makes up for in a sense of danger.”
Without the slightest prompting, he identifies White Mischief as the fork in the road: the moment when he could have pushed his career to the next level, but didn’t. It was in 1988 that Michael Caine said: “Charles Dance is the one. Why? Because he wants it.” Caine approached him in a restaurant: “He told me, ‘I’ve got money on you. Don’t let me down.’ I thought: ‘Fucking hell, that’s nice.’” But Dance himself isn’t sure he ever really did want it – whatever “it” was. “Maybe if I’d had more cardinal ambition. I mean, I’m ambitious, but I don’t tread over people. And sometimes I just don’t feel like it. I thought: ‘No, I don’t want to go off to LA and sit in endless bloody meetings. If it’s meant to be, it’ll be.’ I’m a bit like that.”
Then there was the competition. “Jeremy Irons was, and still is, a few feet ahead of me. Who else? Alan Rickman, bless him.” The shallowness of the casting pool was vividly brought home when he received the script for Last Action Hero. “I get to my character’s entrance and it says: ‘The door opens and there stands Alan Rickman.’” Still, he was a good sport about it. Walking on set on his first day, Dance wore a T-shirt that read: “I’m Cheaper Than Alan Rickman.”
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neglected. When I asked earlier why he hadn’t yet written an autobiography, his response was humorously gruff: “Who wants to read another book by an actor?” The question of what is missing from the scripts he gets offered prompts an altogether gentler, more ruminative answer. “I’d like to properly front something,” he says softly, his hearty manner replaced by a note of introspection. “If anyone was brave enough to do a remake of Death in Venice, that would be ideal. I notice I tend to be brought in to give a bit of weight to something, you know? Maybe I should be more choosy. I’d just like to be fronting things a bit more than I am.”
https://www.theguardian.com/film/2019/may/30/charles-dance
Charles at 14:32mn
Charles Dance discusses his role in the 'Godzilla at 1:35:05
Godzilla's bad guy Charles Dance on why Godzilla is the most spectacular monster movie ever made
Charles Dance reveals why he signed up for Godzilla: King of the Monsters
Dance plays eco-terrorist Colonel Alan Jonah in the Godzilla sequel, and he told Digital Spy that he's "relatively inexperienced" when it comes to movies that use a lot of green or blue screen for visual effects.
"Although if you've got decent directors and producers that tell you what's happening and show you the artwork, then that gets your imagination going, and it's quite easy to imagine stuff, but it's a whole different ballgame," he explained.
As for what attracted him to the role, Dance said that he just likes working really, but the history behind the Godzilla franchise was a big factor.
"I've seen little clips of the original Godzilla movie, this enormous creature being woken up by the damage we've been doing, we've been knocking very loudly on the planet, and this creature comes up out of the waves," he reflected.
"It's an extraordinary image and a wonderful story, and I hadn't done anything like it, so I thought, 'Why not?'."
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